Zeno van den Broek
Letnja pozornica bioskopa Abazija
A multi-sensory work that research and express physical, social and acoustic notions.
Monochrome red and green color fields alternate in a fast rhythm, joined by the appearance and disappearance of 29 black dots.
Ironic documentary film about the farewell to the phantoms of the USSR in Ukraine.
Kåre Leander Ringling Frang
Without a sound and in slow-motion, a car seems to be dancing itself to death.
LE CASE CHE EREVAMO
Around us few walls, an uncertain ground, immense cracks. Inside us, many archives.
LES INDES GALANTES
Group of krump dancers adapting short part of the Jean Philippe Rameau ballet, inspired by the tribal Indian dances of Louisiana.
In the Siberian forest, away from any civilization, a feud is opposing two families whose houses are separated by a river.
Paris was made as a music video for the Norwegian rock trio MoE.
The filmmaker returns to Inhambane, in Mozambique, where he lived in 2010. He wants to find his friend Nafta.
ENTROPIJA KOLEKTIVNE ATMOSFERE OBOJENA U CRVENO
A sense of belonging to something all-encompassing, greater than the individual
Animation on computer, satellite imagery and 3D models of the Pyrenees Mountains.
THE TASMANIAN TIGER
A Tasmanian tiger wanders around in his zoo enclosure. Facing its predicted disappearance, nature exerts its fury, bursts over the frame and resists its extinction by transformation.
Billy Roisz & Dieter Kovacic
Milan Milosavljević & Marko Kostić
ALOGON is a visual meditation on the topic of banks, that is, the economic system understood literally through the architecture of various branches and the reputation of their logos.
Zenno van den Broek
A multi-sensory work that research and express physical, social and acoustic notions
The film looks at how time is physically embedded in the matter and how the molecular particles act in a circular reshaping of the whole.
The film traverses more than 100 years of avant-garde history in compressed form, and insinuates that the journey is, by no means, over.
In the underground world a new form of art is claiming its place amongst the other better known art forms such as graffiti. Stencils are progressing from dark alleyways into the light of day.
Torn between tenderness and savagery, overwhelmed with raw feelings, protagonist embraces his family, his friends and long forgotten sceneries.
Imagine you wake up one day and all your friends have disappeared.
Fly trapped in web. Impossibility of reconstruction after disintegration - a new hybrid monster is born.
Past and forthcoming future are mingling, a transformation is being testified.
Cycles of everyday urban living play out against a site of zombie capitalism.
The film describes an emotional resonance space and in doing so, allows cinema to become haptic.
The film is a journey from the civilizing void of the desert to a maximal urban, capitalistic and hedonistic density.
Salton Sea is becoming a threat to humans and the environment at large – an ecological and economic disaster.
Street protesters and soldiers on Maidan Square morph into the underground queer and techno scene in Kiev.
The film is a viscelar experience of hypnagogic visions and raw energy.