Europe needs recipe from Hollywood
Instead of using the skill of storytelling from Hollywood, we fight against its domination by hermetism and lack of interest in His Majesty the Viewer
One of the most successful film authors in Serbia and the Palić Film Festival Official Selection jury president, Srđan Dragojević in his interview for the Festival Newsletter mentioned a problem with „Fascism of political correctness“ for which he believes it suffocates European film. Having been asked whether he had similar problems with PARADE, he answered that there were misunderstandings too. He was mostly asked: „How can you make a comedy about such a serious topic?! “
European Film Festival - Palić 2013
SRĐAN DRAGOJEVIĆ, PRESIDENT OF FESTIVAL’S JURY
Europe needs recipe from Hollywood
TOMASZ WASILEWSKI, DIRECTOR AND WRITER OF FLOATING SKYSCRAPERS
The truth is paramount for me
There are not so many foreigners in Poland; on the contrary, it is quite a hermetic country and its biggest minorities are the sexual minorities
Films that show LGBT relations practically do not exist in Polish cinema says Tomasz Wasilewski for the Festival Newsletter. His FLOATING SKYSCRAPERS, the second feature film in his career, is among pioneers on the theme.
INTERVIEW: ONUR ÜNLÜ, DIRECTOR OF THOU GILD’ST THE EVEN
Psychology of anguish
Ironi helps us comprehend and fight the absurdity of existence
In a small Anatolian town life goes on. Cemal is a football matches assistant referee, Yasemin an egg factory worker, Defne is a street vendor who sells books, doctor Irfan is occupied with his patients. THOU GILD’ST THE EVEN is a black and white movie about the ordinary sorrows, worries and troubles of the townsmen with extraordinary abilities
MICHAEL THOMAS, ACTOR IN PARADISE: HOPE
Blood is thicker than water
We started o shoot thinking PARADISE will be a single film, and then, when we finished, we found out it will be made into three films – a trilogy.
INTERVIEW: ANNA KOTOVA, AN ACTRESS IN FILM A LONG AND HAPPY LIFE
I like to work with Boris Khlebnikov
The role in the film A LONG AND HAPPY LIFE is the second film role to the young actress Anna Kotova and the second co-operation with the director Boris Khlebnikov, with whom she worked on his previous film only a year ago. Besides films, she also acted in several TV series and in the theatre.
INTERVIEW: KADRI KOUSAAR, DIRECTOR OF THE ARBITER
The shadow of Nazism lures behind genetic engineering
In both of my films there is a problem of man becoming God – deciding over the lives and deaths of others
GÜNES SAYIN, ACTRESS AND NADIR OPERLI, PRODUCER OF THE FILM OUR GRAND DESPAIR
TRIANGLE IN THE MIRROR
Film OUR GRAND DESPAIR is an adaptation of a novel of the same name by a young writer Baris Bicakci. What was he cooperation like between the director and the writer while working on the script?
Operli: In the first film, SUMMER BOOK, director Seifi Teoman used one of Baris’s short stories as an inspiration for one of the scenes. This is how we met in 2007. When we were thinking about what could be next Seifi’s project, we came up with the idea that it might be something based on Baris’s works, since we are fans of his prose. That’s how we came to work on the adaptation of his book. After that, the two of them met and established a very good communication, as they share similar sensibilities, have similar opinions on love and friendship and relations between people. Baris has been involved in all stages of development of the scenario, and was also present at the shooting. For example, if something did not go well on the set, he would always offer to help. After shooting they became very good friends, therefore it’s one of the best collaboration between the writer and director that I had the opportunity to see.
Sayin: I was not present during the preparations for the film, but Baris’s presence on the set was of great importance for my confidence. Since he is not a talkative man, his look or quiet approval were enough to know that I'm on the right track
In that sense he was very helpful and instilled confidence in everyone. It was important for me that on the shooting, the writer who has lived with the story for years was also present. A modest man who did a lot from the background to make this film speak the language of reality
INTERVIEW: CENK MEDET ALIBEYOĞLU ACTOR FROM THE FILM COLD
SHOOTING OF A FILM IS NOT REAL LIFE
Amateur, a local guy, a producer’s friend, who was elected after two professional actors were dismissed, Cenk Medet Alibeyoğlu speaks for the Festival newspaper about working on the film COLD, by Turkish director Ugur Yucel.
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