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INTERVIEW: KADRI KOUSAAR, DIRECTOR OF THE ARBITER

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The shadow of Nazism lures behind genetic engineering

In both of my films there is a problem of man becoming God – deciding over the lives and deaths of others

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INTERVIEW: ANNA KOTOVA, AN ACTRESS IN FILM A LONG AND HAPPY LIFE

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I like to work with Boris Khlebnikov

The role in the film A LONG AND HAPPY LIFE is the second film role to the young actress Anna Kotova and the second co-operation with the director Boris Khlebnikov,  with whom she worked on his previous film only a year ago. Besides films, she also acted in several TV series and in the theatre.

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MICHAEL THOMAS, ACTOR IN PARADISE: HOPE

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Blood is thicker than water

We started o shoot thinking PARADISE will be a single film, and then, when we finished, we found out it will be made into three films – a trilogy.

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INTERVIEW: ONUR ÜNLÜ, DIRECTOR OF THOU GILD’ST THE EVEN

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Psychology of anguish

Ironi helps us comprehend and fight the absurdity of existence

In a small Anatolian town life goes on. Cemal is a football matches assistant referee, Yasemin an egg factory worker, Defne is a street vendor who sells books, doctor Irfan is occupied with his patients. THOU GILD’ST THE EVEN is a black and white movie about the ordinary sorrows, worries and troubles of the townsmen with extraordinary abilities


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TOMASZ WASILEWSKI, DIRECTOR AND WRITER OF FLOATING SKYSCRAPERS

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The truth is paramount for me

There are not so many foreigners in Poland; on the contrary, it is quite a hermetic country and its biggest minorities are the sexual minorities

Films that show LGBT relations practically do not exist in Polish cinema says Tomasz Wasilewski for the Festival Newsletter. His FLOATING SKYSCRAPERS, the second feature film in his career, is among pioneers on the theme.

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